collaborations | The Journal of Creative Library Practice

By Leah Duncan,
Digital Humanities Librarian
Davidson College

Elisa Naquin
Metadata and Digital Strategies Librarian
Louisiana State University

Abstract

When libraries, archives, museums, and other cultural heritage organizations facilitate community-centered programming, their funding and budgeting models should be intentionally aligned with inclusive and relational values. The Louisiana Digital Library (LDL) is a statewide platform for sharing Louisiana’s digital cultural heritage, and over thirty institutions contribute collections to the LDL. Funding from the Louisiana Endowment for the Humanities (LEH) allowed a project team at Louisiana State University to host the inaugural LDL Fest, a three-day event that brought together a community of digital library administrators and users. In addition to the LEH grant, the project team sought additional contributions from within the LDL community while forgoing corporate sponsorship. By sacrificing a potential source of funding, the project team ensured that people who build and use the LDL would be centered in every aspect of the three-day LDL Fest; that commitment also guided the team’s allocation of funds. By insisting that the LDL’s community-centric values direct the LDL Fest’s sponsorship model and budgeting priorities, the project team ensured that the flow of money honored, rather than distracted from, the community that the LDL serves.

Continue reading Community-Centric Sponsorship and Budgeting: Financially Planning the Louisiana Digital Library Fest →

By Jill E. Anderson, Humanities Instruction Librarian
and Kevin Fleming, Popular Music & Culture Archivist
Georgia State University Library

Introduction

This case study focuses on how Kevin Fleming, Popular Music and Culture Archivist, and Jill Anderson, Humanities Instruction Librarian, have developed a series of “Teaching with Primary Sources” library workshops at Georgia State University, an R1 public university. We designed these workshops to introduce faculty and graduate-student instructors to creative strategies for incorporating primary sources into their instruction. Drawing on historical comic books in the archivist’s collections, the active-learning exercises we devised for these workshops are meant to encourage attendees to consider and share their own ideas about instruction with archival and other primary source types. Rather than presenting ourselves as all-knowing “experts,” we aim to make ourselves available as possible partners for this kind of instruction. With these workshops, we hope to foster attendees’ own imaginative ideas about teaching with primary sources, while at the same time encouraging instructors to consider including us as partners in their classrooms. We received a 2019 Georgia Historical Records Advisory Council (GHRAC) Award for Excellence in the Educational Use of Historical Records for these workshops. In this article, we will describe our collaborative processes in the context of the evolution of our workshops. We will begin by discussing our initial collaboration in support of the librarian’s Honors freshman seminar, describe the evolution of our instructor workshops, and close with a discussion of our embedment in a College of Education and Human Development graduate course on Children’s and Adolescent Literature as a direct result of these workshops.

Continue reading Trading Eights: Teaching Collaboratively with Primary Sources →