By Samuel T. Barber
California State University, Fullerton
*”Mid 16th century (denoting a formal defense against an accusation): from French apologie, or via late Latin from Greek apologia ‘a speech in one’s own defense'” – Oxford English Dictionary
Introduction – the task
This article describes an ongoing project designed to present archival library collections at Cal State Fullerton. These collections include contemporary 1970’s video recordings of speeches, addresses, marches, events, etc. made by visiting public figures to the university campus. Though eclectic, the collection is dominated by radical and activist voices emerging from underrepresented groups which reflect the politics and struggles of contemporary Orange County, Southern California, and – indeed – the wider United States. Notable speakers include Angela Davis, César Chávez, Sal Castro, Dennis Banks, Humberto Noé “Bert” Corona and Rodolfo “Corky” Gonzales. The original video recordings were digitized some years ago. However, their subsequent presentation was limited to streaming via an institutional page on the Internet Archive which few students, faculty, or even staff were actually aware of. Furthermore, no metadata records existed to support discovery from the library catalog. As a result, despite their importance, there was extremely limited institutional and student knowledge of either the existence of the recordings or of the original events themselves. A clear and fundamental task was therefore presented to us as it would to any library professional: to expose these hidden collections, representing as they do an important element of our institutional history and the history of the communities in which we work and reside.
Continue reading An Apology* For Avoiding Accompanying Material in the Promotion of Library Collections
By Jill E. Anderson, Humanities Instruction Librarian
and Kevin Fleming, Popular Music & Culture Archivist
Georgia State University Library
This case study focuses on how Kevin Fleming, Popular Music and Culture Archivist, and Jill Anderson, Humanities Instruction Librarian, have developed a series of “Teaching with Primary Sources” library workshops at Georgia State University, an R1 public university. We designed these workshops to introduce faculty and graduate-student instructors to creative strategies for incorporating primary sources into their instruction. Drawing on historical comic books in the archivist’s collections, the active-learning exercises we devised for these workshops are meant to encourage attendees to consider and share their own ideas about instruction with archival and other primary source types. Rather than presenting ourselves as all-knowing “experts,” we aim to make ourselves available as possible partners for this kind of instruction. With these workshops, we hope to foster attendees’ own imaginative ideas about teaching with primary sources, while at the same time encouraging instructors to consider including us as partners in their classrooms. We received a 2019 Georgia Historical Records Advisory Council (GHRAC) Award for Excellence in the Educational Use of Historical Records for these workshops. In this article, we will describe our collaborative processes in the context of the evolution of our workshops. We will begin by discussing our initial collaboration in support of the librarian’s Honors freshman seminar, describe the evolution of our instructor workshops, and close with a discussion of our embedment in a College of Education and Human Development graduate course on Children’s and Adolescent Literature as a direct result of these workshops.
Continue reading Trading Eights: Teaching Collaboratively with Primary Sources